Table Of Content
Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. The ATEM Constellation family has a massive number of fully independent outputs. The 2 M/E models have 12 outputs and the 4 M/E models have a massive 24 outputs.
Camera Control
Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G-SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs. The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in. Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G‑SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs.
Up to 40 Standards Converted SDI Inputs!
The 1 M/E models include 1 multiview, the 2 M/E models have 2 independent multiviews and the 4 M/E models have 4 independent multiviews! All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M/E models and a massive 64 views across 4 monitors with the 4 M/E models! You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air.
The World's Most Portable All-In-One Television Studio!
Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras. Mountain Attack, a ski mountaineering competition, was the first real world test of the URSA Broadcast G2 live broadcast SRT streaming capabilities. Control and color correct cameras via the HDMI connection to Blackmagic Pocket Cinema Camera 4K and 6K. High quality monitor with 2110 IP and 12G‑SDI connections for SD, HD and Ultra HD up to 2160p60. Features 4K resolution LCD with focus peaking, framing guides, 3D LUTs as well as AC and 12V DC power.
Blackmagic URSA Mini Pro 4.6K G2
Add a DVE effect for picture in picture effects with customized picture positions and background. Powerful 1 M/E live production switcher includes 10 standards converted 3G-SDI inputs, 6 x 3G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output. Powerful 1 M/E live production switcher includes 10 standards converted 12G-SDI inputs, 6 x 12G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output.
DVE Settings
Blackmagic Design Releases Studio Camera 6K Pro ATEM Television Studio HD8 - Newsshooter
Blackmagic Design Releases Studio Camera 6K Pro ATEM Television Studio HD8.
Posted: Thu, 23 Feb 2023 08:00:00 GMT [source]
The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy. The perfect mini studio camera features a cinematic 4K sensor up to 25,600 ISO, MFT lens mount, 12G-SDI and HDMI, 3.5mm talkback, 7" LCD with sunshade, color corrector and recording to USB disks. The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes.
Includes controls for refined color grading including adding windows. Miniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out. This software update adds support for Blackmagic RAW clips recorded by the new Blackmagic URSA Cine 12K LF.
You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. ATEM Mini includes a downstream keyer for adding bugs, logos, and lower thirds to your program’s output stream. Simply load PNG, TGA, BMP, GIF, JPEG or TIFF images with an alpha channel into the media pool and send to the media player for keying!
Fairlight Desktop Audio Editor
The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience. This model includes all the features of the 5 inch model, but has a much larger 7 inch screen, 2 SD Card slots so recording can continue when a card becomes full and 2 mini XLR audio inputs. Extremely tiny broadcast camera includes low light cinematic 4K sensor, MFT lens mount, 12G-SDI and HDMI for HD and Ultra HD up to 2160p60, built in color corrector and recording to USB disks.
Supports all codecs up to 1080p60 and ProRes and DNxHD to 2160p30. Get incredibly fast audio editing for sound engineers working on tight deadlines! Includes LCD screen, touch sensitive control knobs, built in search dial and full keyboard with multi function keys. Full sized traditional QWERTY editor keyboard in a premium metal design.
The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview. With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher!
VLock compatible battery plate for attaching third party batteries to URSA cameras. Constant Quality footage with extremely high or low frequency detail can fall outside of the average ranges quoted above. Make sure you get the latest news, software updates, new SDK’s by registering as a Blackmagic Design developer to receive our Developer e-mails. You can also follow us on X(Twitter), Facebook or use our RSS feed to keep up to date with our latest product announcements. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Make sure your ATEM Television Studio is connected to the internet.
Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle. The Blackmagic URSA Mini Pro EF Mount kit is available if you ever need a spare EF lens mount in addition to the original EF that comes with your URSA Mini Pro. Set your recording options to estimate data rates and record times. Festival Winner was shot with URSA Mini Pro 12K and completed post production using DaVinci Resolve Studio. Designed for professional monitoring, with 17 point 3D LUT for calibrating monitors with the 3D LUT available on the SDI loop out! Supports video and DCI rates including 1080p24, 1080p47 and 1080p48.
All transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air. This model includes all the features of ATEM SDI Pro ISO model but has 8 SDI inputs and 4 SDI outputs.
When you need fast and seamless keying, the software controls allow precise adjustments. Green and blue screen backgrounds are never perfectly flat, so it’s vital to have powerful key controls that let you handle any kind of key! You get precise control of key parameters such as color, spill/flare suppression, foreground color correction and more. URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX.
No comments:
Post a Comment